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A renewed curiosity in movie realism influenced motion picture technology during and after World War II. In order to afford greater versatility and mobility, filmmakers took to utilizing smaller cameras that would shoot on location with out tripods or heavy tools. Shortly after World War II, director Morris Engel (1918–2005), whose low-budget films shot in New York City would later affect Technology news John Cassavetes, helped Charlie Woodruff assemble a transportable 35mm digicam that prefigured the Steadicam. By the center of the 1950s, cinematographer Richard Leacock (b. 1921) and sound recording specialist D. A. Pennebraker (b. 1925) innovated a conveyable 16mm synchronized-sound digital camera that rested on the operator’s shoulder.